Coursework: Summer Project 2023

The summer project is a vital element of your coursework - an opportunity to plan an outstanding crime drama video/print project and then present it to class in September.


Your summer project contains compulsory and optional elements; everybody will be researching music videos and promos, creating a concept, writing a first draft Statement of Intent and presenting this to class as an Ignite presentation in September. However, you may wish to also plan and film elements of your production over the summer while you have time and actors available - this is up to you.

Summer project tasks

Complete the following tasks on a blogpost on your coursework blog called 'Summer Project: coursework planning': 

1) Research: TV crime drama extract analysis 

You need to write a close-textual analysis of six TV crime drama extracts. For each extract, focus on a different aspect of media language, and embed each one on your blog:

TV crime drama extract 1: Narrative and genre
How is the narrative and the crime drama genre communicated to the audience?


In Top Boy, there is tension between the drug gangs that operate almost openly and those who strive to live honest lives against the odds in the crime-riddled area. The opening scene of "Top Boy" features a series of shots that are artfully woven using a lot of detail. In doing so, it introduces the main characters and settings, foreshadowing the conflict and development that will define the story. This approach immediately engages the audience and invites local connections and inspirations. The opening "Top Boy" follows the conventions of the urban crime drama genre. Riddled with poverty and crime, the buildings immediately establish a sense of place and social context. Harsh social issues such as drug trafficking, unemployment, and the cycle of poverty will be shown to balance the film’s focus on the harsh realities of urban life

TV crime drama extract 2: Mise-en-scene
What do you notice about the use of mise-en-scene to create meanings for the audience? Think CLAMPS.


Tommy Shelby, a dangerous man, leads the Peaky Blinders, a gang based in Birmingham. Soon, Chester Campbell, an inspector, decides to nab him and put an end to the criminal activities. Tommy Shelby and Polly Gray confront Mother Superior about rumours she is beating children at an orphanage which is funded by the Grace Shelby Institute.The dimly lit rooms in this particular scene in Peaky Blinders with religious symbols on the walls help maintain an atmosphere of tension and relaxation. The shadows cast by symbols may symbolize hidden truths and underlying moral complexities. The low lighting also adds to the serious tone of the confrontation, indicating that this is a serious matter that needs to be addressed Tommy and Polly’s clothes can show their status and determination The elderly mother’s traditional religious dress and chairs emphasize her role as an authority figure within the orphanage. Tommy’s front seat and unwavering gaze emphasize his strength and determination to uncover the truth.

TV crime drama extract 3: Camerawork
Here you are looking for particular camera shots and movement. E.g. Are close-ups used to show the reaction of key characters to the audience? How are establishing shots used?

youtu.be/rc3VMswuw7w?si=Wb_8UGp2C2390CRu - Killing Eve

Being recruited by an intelligence agency puts Eve in the direct path of Villanelle, an assassin. Though the mission is to kill her, the two women find themselves strangely drawn to each other.When Villanelle stalks Eve in the bathroom, the camera can take point-of-view to show Eve's unease and growing paranoia as the situation intensifies. "Killing Eve" uses split screen and mirror techniques to show parallel actions or emotions forms with different experience characters. This can highlight similarities or differences between characters and their situations. In the bathroom scene, you can see her reaction on one side of the screen and Villanelle’s actions on the other, exacerbating the tension between them. Close-ups and ultra-close shots are used to capture characters and their emotions in a bathroom setting and even during dinner This is particularly effective in showing subtle changes in their behaviour, especially in an intense or emotional moment such as when Villanelle enters adware.

TV crime drama extract 4: Editing
Analyse pace, transitions, number of shots and juxtaposition e.g. eyeline matches. How is editing used to create meanings for the audience?

 https://youtu.be/dehuS7ZSOgk - Breaking Bad

Walter White, a chemistry teacher, discovers that he has cancer and decides to get into the meth-making business to repay his medical debts. His priorities begin to change when he partners with Jesse.As Walt throws the crystal to the floor the editing gets more complex. As the explosion sequence plays through, the editing switches from continuity type editing to montage editing. Starting with Walt throwing, and cutting smoothly to the slow motion shot of the crystal, when the crystal hits the floor, it cuts to an outside shot with the windows being blown out by the explosion from two different angles and then some of the damage caused by the flying debris outside, particularly the slow motion shots of the air conditioning unit falling down the side of the building and the man falling and the glass hitting the camera lens. The scene then cuts to inside the building again just after the explosion, the transition between continuity and montage happens here. Instead of showing Tuco and his henchmen being thrown back it cuts to them crawling, disoriented, on the floor. It then moves to continuity editing during the deal being struck after the explosion, moving back to the minimal amount of shots and they converse.

TV crime drama extract 5: Sound
Analyse both diegetic and non-diegetic sound in the extract - music, dialogue, voiceover, SFX, background or foley sound.

https://youtu.be/Mr5BuRUmeDI - The Boys


  1. The Boys tells an alternative tale of the superhero life. One that is not the usual triumphant tale. Vought International corporation monetizes its superhero brand and manipulates the public into believing that they are savours, in particular with the collective group known as ‘The Seven. ’As the opening scene progresses, the sound of the superhero battles becomes more and more intense. Viewers hear loud, booming footsteps coming from A-Train as he races to to the bank, which can create a sense of impending danger and urgency. As well as this, A-Train's super-speed is showcased through the sound as he runs. The sound he makes as he runs emphasises his incredible velocity. The woosh sound that follows reinforces the fact that this is a superhero show but also that superheroes in this world have superhuman abilities. Explosions and debris contribute to the chaotic soundscape as these sound effects immerse the audience in the destructive nature of the battle. The screams of the frightened bank customers and the general panic create a contrast between their heroic facade and the terror they instill in people, even when they are saving them. The juxtaposition of the upbeat song  along side the chaos creates a sense of dark humour and it highlights it's unique tone compared to other shows in the same genre.


You can find a range of TV drama extract examples in this blogpost.

In total, your research notes on your blog will be approximately 1,000 words - bullet points are fine.


2) Planning: TV crime drama concept

     (For Personal Reference of what can and cannot be used in my crime drama coursework.)


TV crime drama
In order to produce a successful crime drama extract, you will need to plan out an overall narrative arc for the whole episode or season of your drama. This may include the main characters in your drama and the narrative conflict driving the main protagonist for example. This overall picture of your crime drama will inform both your TV extract and the TV listings magazine feature.

Your three-minute extract
What will your three-minute extract involve? A chase scene? Dialogue? Disequilibrium? It needs to feature the typical codes and conventions of TV crime drama. Look at the minimum requirements of the brief in order to ensure you plan for everything you need.

Complete this TV crime drama extract pitch template to plan these elements (you can copy the questions into your blog or complete on your own Google Doc and link from your blog) to demonstrate you have planned your video production. 

A Level Media NEA – Brief 1: TV drama extract and TV listings magazine

TV crime drama concept

Our coursework brief requires us to create our own TV drama extract and TV listings magazine for an original crime drama. Plan the following for your video production:

Your new TV drama

Crime drama title: Shadowed Intentions

Tagline: Where intentions are made hidden, find the truth from within the shadows.

Streaming platform (note brief – streaming service, 12+ audience): It will be available on Netflix where older youth and adult viewers will have easy access to view it.

Logline – one sentence that sums up the whole TV drama series and hooks people in (25 words or fewer): "Secrets breed shadows, and in 'Shadowed Intentions,' every choice has a price as characters navigate a world where trust is currency."

Other successful TV dramas that are similar to yours: "True Detective" offer complex investigations with deep character exploration in the same manner that "Shadowed Intentions" does, "Mindhunter",

Narrative arc – what happens in the overall series: The series opens by introducing viewers to the world of "Shadowed Intentions", which includes the city's dark setting as well as it's underbelly of crime. A high-profile crime takes place, which causes the main plot to be set in motion as the protagonist takes interest. This leads to the protagonist and his team to delve into the investigation and uncover the web of corruption and deceit within the city.

Main protagonist – their motivation, conflicts etc.: Detective John Pierce's motivation mainly comes from his strong sense of justice. He has committed to catching criminals any means necessary and this is used as his driving force throughout the entire series.

Other characters, their narrative role and their audience appeal:

Detective Sarah Mitchell: Sarah Mitchell serves as Detective John Pierce's partner and trusted confidante. She provides him with support and assistance during investigations, but has a contrasting perspective on Pierce's unconventional methods. She is able to appeal to audiences as she is a one of the strong, competent female characters within the "Intelligence and Investigations Division" (IID). As well as this, her dynamic with Pierce adds a sense of togetherness and teamwork to the series.


Captain Robert Lawson: Robert Lawson serves as Pierce's superior officer who clashes with him due to his unconventional methods. He represents the bureaucratic side of the IID as he focuses on protocol and procedure, a stark contrast to Pierce's methods. He adds tension by presents problems for Pierce, which allows Lawson to appeal to viewers who appreciate the conflict between a dedicated detective and his by-the-book superior.

The Baron (will opt for better names): The Baron is the main antagonist of "Shadowed Intentions", they portray a cunning and elusive criminal mastermind responsible for the main crimes presented within the series. Their identity is consistently shrouded in mystery as they play a game of cat-and-mouse with Detective Pierce. The Baron's character adds intrigue and suspense to the series as the audience is drawn into the challenge of uncovering their identity and motives.


Forensic Analyst, Dr. Victoria Wells: Dr. Victoria Wells is the forensic expert who assists the detectives with evidence analysis. She provides crucial insights that help the IID solve cases. Dr. Wells' character is able to appeal to viewers interested in the forensic and scientific aspects of crime solving. She also adds a sense of authenticity in the investigative process.


Informant Lucas "Lucky" Malone Lucas Malone is an informant with connections to the criminal underworld. He provides intel and tips to the detectives within the IID, making him an invaluable asset to them. For his own safety, he goes under the name "Lucky" in order to keep his identity safe. Carlos's presence as a sense or danger and intrigue to the series as the detectives rely on his information, arguably a little too much.

Target audience for your TV crime drama (note brief – 12+, older youth and adult viewers): age, gender, social class, psychographic groups etc. Although "Shadowed Intentions" has a maturity rating of 12, the themes used withink the crime drama as well as the suspenseful and intense scenes make it an interesting watch for older youth and adult viewers, particularly within the age range of 15-40 years but not limited to that age range. The social class may be middle to upper middle class and the psychographics that may watch this are strugglers, resigned and explorers.

 

Your extract

When would your extract appear in the drama (e.g. season 1 opening scene, cliffhanger scene at end of season finale etc.): a flashback scene mid-season 1.

Setting (note brief – at least two locations): An office/police precinct switching to the inside of a club. (subject to change depending on availability of locations and possible idea changes.)

What will happen in your extract (note brief – identifiable narrative features, crime genre codes and conventions etc.): In this extract, Detective Pierce will be sitting at his office drinking, and the scene will then switch to a flashback of Pierce speaking to one of Lucky's contacts.




3) Statement of Intent

Write the first draft for your genuine 500-word Statement of Intent. This will be submitted to the exam board alongside your media products and is worth 10 marks of the overall 60 marks available.

The original AQA brief is here: NEA Student Booklet 2024 submission - brief 1

We also strongly recommend you look at our Statement of Intent 2024 questions to consider document too (you'll need to log in with your Greenford Google account to read this).


My TV crime drama will be called "Shadowed Intentions", an up-and-coming drama that will be streamed on Netflix. My three minute extract would appear a few episodes after the start of the series, mid-episode. "Shadowed Intentions" follows Detective John Pierce as he navigates the dark underbelly of crime, tackling intricate cases while confronting his own demons, all in a pursuit of justice.

I intend on meeting the brief by using 2-3 locations within the extract, and by using narrative features such as flashbacks and possibly montages, and for genre codes, conflict, tension and moral ambiguity. I'll be using a wide range of camera shots such as close-ups on Pierce's face to express his emotions, over-the-shoulder shots as well as the 180 degree rule. I will be using diegetic sound such as dialogue to build up the story and non-diegetic sound such as voiceovers to provide context for the extract. My TV listings magazine's front cover will prominently feature "Shadowed Intentions", the main image being Detective Pierce shrouded in darkness and the cover images being key supporting characters as well as a crime scene. The headline will be "Exclusive Inside: Shadowed Intentions". The narrative theories evident within "Shadowed Intentions"  are Propp's Character Roles and Todorov's equilibrium, and the genre theories available are hybridity as it can be argued my extract combines crime drama with elements of psychological thriller (moral ambiguity, character psychology).

"Shadowed Intentions" both challenges and reinforces certain stereotypes. It reinforces character archetypes such as Pierce, the "rogue" detective but also subverts stereotypes such as gender, which is evident due to strong female characters who aren't limited to traditional roles and are portrayed as skilled professionals. As well as this, portraying criminals with depth and delving into their background and motivation allows them to be humanized and have an actual bond with viewers of "Shadowed Intentions." Stuart Hall's work on representation talks about how media constructs and presents lots of social groups, which can be applied here due to the portrayal of race, gender and class within "Shadowed Intentions." 

A vast number of crime dramas target an audience withing the age range of 15-40 year olds. Although "Shadowed Intentions" has a maturity rating of 12, it still appeals to people within the previously mentioned age range without being limited to it. It would also attract strugglers who escape through the use of shows and explorers who discover and invest into a show. Blumler and Katz Uses and Gratifications theory can be applied to explain audience pleasure. "Shadowed Intentions" provides a diversion from real life problems, Surveillance as "Shadowed Intentions" does include accurate portrayals of the investigative procedure. As well as this, the audience may build personal relationships with characters from within the drama.

My audience are likely to watch "Shadowed Intentions" on Netflix as it allows viewers to watch at their convenience. "Shadowed Intentions" is likely to be published by a major conglomerate like Condé Nast as they have the resources and distribution networks to reach a broad readership.

4) Ignite presentation

Prepare a 5-minute, 20-slide presentation using the Ignite format in which you present your coursework project. In effect, this is your statement of intent in presentation format. You must cover:
  • Your TV crime drama concept: title, tagline, narrative, characters etc.
  • Media language: how you will use conventions, camerawork, editing, mise-en-scene and sound to create an effective TV crime drama extract.
  • Media representations: how you will use or subvert stereotypes; representation theory.
  • Media audiences: your target audience demographics and psychographics; audience pleasures; audience theory.
  • Media industries and digital convergence: the potential companies or organisations that could produce or stream your TV drama; how your extract will encourage audiences to discuss your new TV drama on social media. 
Ignite presentations have very specific rules: you must create exactly 20 slides with each slide set to 15-second auto-advance. This means your presentation will be exactly five minutes followed by questions and comments from the class. You will deliver your presentation on your coursework planning in September.

Your Ignite presentation will be marked out of 30 on the following criteria (each worth a possible 5 marks):

1) Research (through the presentation AND your blog) 
2) Coursework concept
3) Language: terminology and theory
4) Representations / social and cultural contexts
5) Audience and Industry / digital convergence
6) Presentation delivery

You can find more information about Ignite presentations - including examples - in this Ignite presentation blogpost here.


https://docs.google.com/presentation/d/1ASKwf6K5mCf9uTVkZch8oaiTYt6ibCixJ7vzmJAzZ2c/edit?usp=sharing

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